chris jordan photography

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These images draw the viewer intimately into the horrors of global mass-consumerism, reminding us that the consequences of our unchecked growth extend to every corner of the globe. And on another level, it is fascinating to find photographic subjects out there, that feel somehow internal and connective, that I recognize as being parts of myself in some way. Or rational argument? © 2020 LensCulture, Inc. Photographs © of their respective owners. CJ: Actually, I have known photography was my thing ever since I was a kid. LC: Photography is often a very solitary pursuit.

In the words of the photographer: “The more we are aware, the more we... Patricia Pastore zooms in on the beauty of dead bugs, with bright lights and highly selective focus. The bad news keeps getting worse and bigger in scale all the time. Chris Jordan shares his views on the power of photography — “Art has always made an immeasurably important difference in human culture, and right now might be the most potent time ever for the arts to contribute to the healing and transformation of our world.” Laysan albatross chick hatching from its egg, Midway Island, 2012. LensCulture Journeys 2020. Announcing the Winners! LC: Your work looks at some of the most daunting issues of our time. These birds nest on Midway Atoll and are being fed plastic by their parents, who find floating plastic in the middle of the ocean and mistake it for food. [9][10] By 2017, the film was finished and being screened in select locations. Drawing on her work as an editor and photographer, she shares her top tips for making work that gets noticed. I find that approach to be disrespectful and usually loaded with irony and hypocrisy, and it doesn’t work anyway. Jordan is a strong believer in the transformative power of photography and all of the work he makes is animated by a belief in photography’s unique ability to convey a reverential relationship with our wondrous surroundings.

Or beauty? LC: How did you decide to become a full-time, professional photographer? Or…? [1] Ben Franklin , a montage of 125,000 US $100 bills, the amount spent on the Iraq War every hour. CJ: That’s the challenge we are all facing, isn’t it?

Discover 37 international photographers recognized for their unique and timely interpretations of the theme, Journeys. Editors’ Note: To find out more about Jordan and his inspirational work, please visit his website. The award-winning Polish cinematographer talks about the tremendous importance of still photography in creating his movies — especially his film, Ida, shot in luscious black-and-white. On May 1, 2009, in the midst of the deepest recession in a generation, the Fairfield-Suisun School Board voted to close four schools and layoff more than 80 teachers. —Chris Jordan, interviewed by Alexander Strecker. [8] There has been little activity regarding the project (since 2014) although it was stated to be "in progress" as of 2016. My therapist friend calls this process the “amygdala hijack.”.

“Gyre,” seen below] seem to require a little more context/information to appreciate.

Chris Jordan (born 1963) is an American artist, photographer and film producer based in Seattle, Washington. I think perhaps the fact that we are collectively losing contact with our pre-verbal experience—intuition, feeling, amazement, wonderment, our innate love for Life, and so on—is a primary reason why we have gotten ourselves into the mess we are in. Miracles and Tragedies: Conveying the Wonder of Life Through Photographs, Inspirational artist

Art is not only relevant right now; it has a crucial role to play in the battle for our collective sanity. Some of your work is singularly powerful and can stand alone. © 2020 Prix Pictet. My only wish in terms of the effect my work might have on others, is to help them remember something inside of themselves that they might have forgotten, or that they didn’t know they knew in the first place. Boutique fine-art wedding photographers based in Palm Beach, we take an artistic, story-telling approach to every wedding. This award-winning 97 minute film is offered as a free public artwork. Activism is more group-oriented. The global award in photography and sustainability. CJ: Fear is dangerous because it tends to operate below the level of conscious awareness. His work, while often unsettling, is a message about unconscious behaviors in our everyday lives, leaving it to the viewer to draw conclusions about the inevitable consequences which will arise from our habits.[2]. It blurs the lines between self and other, and the external and internal, in ways that bring teachings of all kinds. But I was afraid to follow it as a career, afraid of going to art school and failing artistically and financially, so I went to law school and spent ten years cooped up in a Seattle law office like a caged animal.

Compelled by his interest in the legacy of one of the USA’s largest corporations, this photographer set out on a road trip to unearth the connections between a small town, a file of lost negatives, and Wal-Mart. Do you think people are touched most by fear? CJ: Well, I like that old saying from Zen: “Whenever a man speaks, he misses the point.” To put it another way, as soon as we reduce something to words, our consciousness becomes rooted in language, and the world shrinks. LC: Do you think photographers/artists can make a difference? My wish for myself is to develop the capacity to bear both sides of the equation—horror and beauty, sadness and joy, despair and love. And if that kind of shift in consciousness can be achieved collectively, then we can literally step into a new world together. In one way it is like a treasure hunt—these images or perspectives are out there in the world waiting to be discovered, but each photographer has a particularized version available to them, that only they can recognize. The world, every single moment, is an incomprehensibly amazing and mysterious miracle, and each one of us has won the lottery ticket of the Universe to get to be here and experience it. Martine Fougeron documents the delicate, turbulent stages of adolescence through intimate portraits of her own children’s lives. When we do that, we discover that we have all kinds of choices we didn’t even know we had a moment previously, and the world changes before our eyes. LensCulture’s managing editor, Alexander Strecker, reached out to Jordan to find out more about him and his beliefs surrounding the unique strengths of photography. The 7th edition of this festival presents the work of over 70 photographers on the theme of “YOU.” The result?

This is the photo book that redefined what a photo book could be — personal, poetic, real. Chris Jordan (born 1963) is an American artist, photographer and film producer based in Seattle, Washington. Others [e.g. Do you feel a tension between working on your own and trying to inspire others to action? © Chris Jordan. © Chris Jordan, Carcass of a Laysan albatross fledgling and its stomach contents after necropsy, Midway Island 2011. I think it is incredibly important for us to face our fears, to shine the light of consciousness into those shadows, both individually and collectively. All that time I was photographing with a 4x5 camera on the streets of Seattle at night and on the weekends—I made five bodies of work back then that have never been exhibited. For me it is all about perspective: yes the news is bad, and we have to face it, but that’s not the whole story. Looking At You: Breda International Photo Festival 2016. But then, yes, the titles/captions of photographs can convey important information, so there is a balance there. CJ: I think art has always made an immeasurably important difference in human culture, and right now might be the most potent time ever for the arts to contribute to the healing and transformation of our world. Jordan's work can be grouped in the following series: Midway: Message from the Gyre (2009–2013)[6][7] is a series of photographs depicting rotting carcasses of baby Laysan albatrosses filled with plastic. LC: Is a picture worth a thousand words? Jordan uses everyday commonalities such as a plastic cup and defines the blind unawareness involved in American consumerism.

Online gallery for the 2003–2005 series "Intolerable Beauty", Online gallery for the 2005 series "In katrina's Wake", Online gallery for the 2006–2009 series "Running The Numbers I", Chris Jordan follows the plastic to Midway Atoll, article in the, Kickstarter: Join the Midway Film Project, How Albatrosses Taught Photographer Chris Jordan How to Grieve, Video: Chris Jordan presents his Midway work, "Turning powerful stats into art" (TED2008), https://en.wikipedia.org/w/index.php?title=Chris_Jordan_(artist)&oldid=968716144, Creative Commons Attribution-ShareAlike License, This page was last edited on 21 July 2020, at 02:13. What is it that first drew you to the image as a way of conveying the message you wanted to share with the world? It was about the pollution on Midway Atoll called "The Midway Film Project". Projects include Suburban Sublime, Ablation Points, Artifactory, Alabama Swamps, and Classical Landscape Photography.
Jordan is a strong believer in the transformative power of photography and all of the work he makes is animated by a belief in photography’s unique ability to convey a reverential relationship with our wondrous surroundings. © Chris Jordan, Laysan albatross parent and chick, Midway Island, 2012.

I think the way people behave is their own choice and responsibility. Chris’s Midway images have reached a worldwide audience in 2010, but prints of this series have not yet been publicly exhibited.

In relation to the Midway photographs, Jordan created another project that was going to be a documentary. All of the plastic in this image was collected from the Pacific Ocean.

And what keeps you coming back? A diverse and inspiring showcase of creativity surrounding the fragile—yet courageous—self-sustaining individual. https://ecoartseurope.wordpress.com/2016/02/09/artist-spotlight-chris-jordan If we turn away from it, we know we are living in denial; but if we face it, we risk falling into despair, hopelessness, depression, disempowerment, and paralysis. LC: Why is photography special to you? This is a part of an ongoing arts and media project called Midway Journey, which has its own website. Can you talk about balancing those two approaches? How do you face these problems squarely day by day while at the same time maintaining a positive/productive attitude? From a place of deeper connection with self, or spirit, or whatever you want to call it, then we are back in touch with our wisdom and our compassion. For me that is one of the greatest powers of photography—to convey relationships, which for me, are all about reverence. But perhaps the most mysterious part for me is the way the medium can transmit feeling. Between being on your own and being connected with the world? ALBATROSS, a film by artist Chris Jordan, is a powerfully moving love story about birds on Midway Island in the Pacific whose bodies are filled with ocean plastic. [1], Many of Jordan's works are created from photographs of garbage and mass consumption, a serendipitous technique which started when he visited an industrial yard to look at patterns of color and order. Inspirational artist CJ: I frequently get labeled as an activist, and I find it a bit annoying because I’m not really interested in trying to inspire others to action.
8.5 ft (2.6 m) wide by 10.5 ft (3.2 m) tall in three horizontal panels.

In his newest project, Midway: Message From The Gyre, Chris returns to traditional photography to document a richly symbolic environmental tragedy: the plastic-filled carcasses of dead baby albatrosses on Midway Atoll in the Pacific. Chris Jordan shares his views on the power of photography — “Art has always made an immeasurably important difference in human culture, and right now might be the most potent time ever for the arts to contribute to the healing and transformation of our world.”. My Dad was a photo historian and a photography collector, so I was steeped in the medium from a young age.

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