modern photoshop shapes
Legal Notices A second vector shape now overlaps the original.
Subscribe and get the Smart Interface Design Checklists PDF delivered to your inbox. Steven Photoshop Essentials.com - Tutorials and training for Adobe Photoshop. I'll choose the Path Selection Tool from the Tools panel. Selecting the Ellipse Tool from the Shape tools fly-out menu. When we draw a pixel-based shape by choosing the Fill Pixels option in the Options Bar, we're creating shapes out of the same type of pixels that make up a digital photo, and pixels have major limitations on what we can do with them. Choosing a color for the vector shape from the Color Picker. You can adjust dimensions and placement of a rectangle. Shortcodes, Actions and Filters Plugin: Error in shortcode [ads-basics-middle]. The preview thumbnail for Layer 1 shows the pixel shape, which is not easily editable like a Shape layer would be.
Bevel join Creates squared corners that abut the endpoints. Near the far left of the Options Bar is a set of three icons. I'll start with the vector shape on the left, pressing Ctrl+T (Win) / Command+T (Mac) to access Free Transform, then scaling it back up to its original size by setting both the Width and Height in the Options Bar to 1000%: The vector shape is now back to its original size and shows no sign of wear and tear. This re-opens the Color Picker so we can select a different color. Click the gear icon in the upper-right corner of the Stroke Options panel and choose Save Stroke. From left to right - the Shape Layers, Paths, and Fill Pixels options. For that, we need the Direct Selection Tool (also known as the white arrow). Instead of converting the path outline into a vector shape as before, this time, we still just have the path outline.
The Shape layer appears in the Layers panel when Photoshop converts the initial path into a vector shape. The first icon (the one on the left) is the Shape Layers option, and it's the option we choose when we want to draw vector shapes. That's because the Add to Shape Area option is currently selected.
The third icon (the one on the right) is known as the Fill Pixels option. Finally, pixel shapes (Fill Pixels), the least useful of the three, are just shapes filled with colored pixels, with all the normal limitations of pixel-based images. Clicking on the Shape Layers icon in the Options Bar. Photoshop once again displays only the initial path outline of the shape as I draw it.
Again, just as when drawing Shape layers and paths, all we see at first as we're drawing a pixel shape is the initial path outline of what the shape will look like: I'll release my mouse button to complete the shape, at which point Photoshop fills it with color. The values you type are applied to all selected rectangles. Shape layers are made up of two parts - a color swatch on the left which displays the current color of the shape and a vector mask thumbnail to the right of the color swatch which shows us what the shape currently looks like (the white area in the thumbnail represents the shape): With one shape drawn, I'll draw a second similar shape slightly to the right of the first one: Photoshop places this second vector shape on its own separate Shape layer (named Shape 2) above the first one, complete with its own color swatch and vector mask thumbnail: At the moment, both of my shapes are red, but we can easily change the color of a vector shape at any time simply by double-clicking on the shape's color swatch on the Shape layer: I'll double-click on the second shape's color swatch.
Find & Download Free Graphic Resources for Shapes. While they look the same at the moment, the shape on the left is a vector shape, while the one on the right is a pixel shape: A quick glance at my Layers panel shows the vector shape on the Shape layer (Shape 1) and the pixel shape on Layer 1: With the vector shape selected, I'll press Ctrl+T (Win) / Command+T (Mac) on my keyboard to bring up the Free Transform bounding box and handles around the shape: Then I'll scale the vector shape down in size by setting both the Width and Height options in the Options Bar to 10%: I'll press Enter (Win) / Return (Mac) on my keyboard to accept the change and exit out of Free Transform, and now the vector shape on the left appears much smaller: I'll do the same thing with the pixel shape on the right, first selecting Layer 1 in the Layers panel, then pressing Ctrl+T (Win) / Command+T (Mac) to access the Free Transform command and changing both the Width and Height of the pixel shape to 10% in the Options Bar. A circular shape drawn with the Ellipse Tool. Notice that even though I've made edits to the shape, because it's a vector shape and vectors are based on math, not pixels, it still retains its crisp, sharp edges: Now that we've had a bit of a whirlwind tour of what we can do with vector shapes, including how editable and flexible they are, let's compare them to paths and pixel shapes, which we'll do next! Photoshop will open the Save Path dialog box asking you for a new name. We can select an entire path at once with the Path Selection Tool (the black arrow), or we can edit its shape by clicking on it with the Direct Selection Tool (the white arrow), then clicking and dragging any of the anchor points or direction handles, just as we saw earlier: The most common use for paths is converting them into selection outlines, which we can do by holding down the Ctrl (Win) / Command (Mac) key on the keyboard and clicking on the path's thumbnail in the Paths panel: Photoshop instantly converts the path into a selection: Since Shape layers in Photoshop are just paths filled with color, it's actually very easy to convert a path into a Shape layer ourselves, which can be a handy trick when you meant to draw a Shape layer but forgot that you still had Paths selected in the Options Bar and accidentally drew the wrong type of shape. They're actually made up of mathematical points, with the points connected to each other by either straight lines or curves. To change the dimensions of the rectangle, type values in the W or H text boxes in the Properties panel or options bar.
We can draw vector shapes, we can draw paths, or we can draw pixel-based shapes. I'll choose red from the Color Picker, then I'll click OK to close out of it: With the Ellipse Tool in hand, the Shape Layers option selected in the Options Bar and red chosen from the Color Picker, I'll click inside my document and drag out an elliptical shape, holding the Shift key down as I drag to force the shape into a perfect circle: Photoshop places each new vector shape we draw on its own Shape layer, and if we look in my Layers panel, we see the shape on a new layer named Shape 1 above the Background layer. In other words, unless I was willing to put in some extra work, my pixel shape is what it is, which makes it rather uninteresting after seeing how editable and flexible Shape layers are: The biggest problem, though, with pixel-based shapes, and the biggest advantage Shape layers have over them, is that pixel shapes are not very scalable, especially when we need to make them larger than their original size, whereas Shape layers can be scaled as large as we want without any loss of image quality. I'll choose blue this time: I'll click OK to close out of the Color Picker, and my second shape is instantly changed from red to blue: The shape's color swatch on its Shape layer also updates to the new color: As vector shapes, I can select them in the document very easily using the Path Selection Tool (also known as the black arrow). Download these free Photoshop frame shapes and use them to add fancy borders to your photos.
It's primarily a photo editor, and photos (digital photos, at least) are made up of pixels. I'm going to start again with just my white-filled Background layer, and I'll add a new layer to my document by clicking on the New Layer icon at the bottom of the Layers panel: Photoshop adds a new blank layer named Layer 1 above my Background layer: Also unlike Shape layers which make it easy to change the color of a vector shape whenever we want, it's not as easy to change the color of a pixel shape. The shapes with the Intersect Shape Areas option selected. They're just as editable, flexible and scalable as Shape layers but are not actually part of the document until we do something more with them. I'll click on the Subtract from Shape Area option: With Subtract from Shape Area selected, the second shape is no longer visible in the document. We've already seen how to select an entire shape at once using the Path Selection Tool, but we can also select the individual points, lines and curves! Since vector shapes are essentially drawn using math, each time we make a change to the shape, either by resizing or reshaping it in some way, Photoshop simply redoes the math and redraws the shape! You will receive: - 6 patterns
The Layers panel showing the vector shape and the pixel shape.
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